MONOGRAM PICTURES presents
me TRAIL BLAZERS _
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JACK LaRUE
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# Produced by ROBERT TANSEY
Directed by ALAN JAMES
Screenplay by FRANCES KAVANAUGH
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TWO-GUN HEROES
OF THE OLD WEST!
...in the kind of cyclonic
battles they made famous!
BRING ON YOUR KILLERS!
Two smashin’, crashin’ |
he-men of the real west |
bring back the kind of _
made them famous! :
Two all-time cowboy
“greats”... fightin’ it He
out with redskins and 3
outlaws in a tornado 9
of real old-time §
ACTION!
THE TRAIL
BLAZERS
JACK La RUE “seen MILES
7 AVN ARD THe TRAIL BLAZERS
One Col. Ad Mat No. 6 “HOOT GIBSON
‘THE yy RIDES
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7 @MAYNARD GIBSON “
JACK LaRUE § we
A MONOGRAM PICTURE
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JACK LaRUE =
BETTY MILES
A MONOGRAM PICTURE
Two Column Ad Mat No. 25
One Col. Ad Mat No. 7
ACTION KINGS!
THE TRAIL BLAZERS
THE TRAIL
BLAZERS (*".
KEN HOOT
MAYNARD-GIBSON
Rides
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One Col. Ad Mat No. 8 One Col. Ad Mat No. 5
Two Column Ad Mat No. 24
THE WEST’S ALL-TIME GREATS GIVE YOU REAL ACTION!
Show’ Cowboys Inspired i ita Lt» Ll COWBOY FAVORITES ON THE JOB |THE STORY
Exploits of Hoot Gibson
A “kid’s” driving ambition
to excel the stunts of profes-
sional cowboys, whose exploits he had watched with bated
breath, launched Hoot Gibson on a campaign of training and
practice which covered his entire boyhood life.
Gibson comes to the
“The Law Rides Again,”
gram’s thrilling western drama in
which he is co-starred with Ken
Maynard.
Hoot was born on a ranch near
Tekamah, Nebraska, in a section
where cowboys and down-to-earth
westerners lived on the open range.
He was little more than a baby
when he learned to ride a horse,
and his skill increased during the
years in scenic surroundings which
he accepted as a matter of course.
But it was his later attendance
at circuses, wild west shows and
particularly the town’s only mo-
tion picture theatre that fired
his ambition, for here he saw a
glorified type of cowboys, whose
lives seemed to be made up of a
continual -succession of spectacular
stunts, involving not only trick rid-
ing and roping but dangerous feats
of all descriptions. This, decided
Hoot, was the life he wanted.
The town motion picture theatre
showed western films on every bill,
and only the state of the young-
ster’s finances prevented his at-
tendance every night. But eventu-
ally even this difficulty was over-
come, when he secured a job oper-
ating the phonograph which took
the place of an orchestra at the
show. Thus he was able to study
the cowboys each night, and to
practice emulating their stunts the
next day.
How well Hoot had learned his
lessons was proven when, at the
age of 18, he won the all-around
cowboy championship of the world
at the famous Roundup at Pendle-
ton, Oregon.
The cast supporting Gibson and
Maynard is headed by Betty Miles
and Jack LaRue, and also includes
Emmett Lynn, Bryant Washburn,
Kenneth Harlan, Chief Thunder-
cloud and Chief Many Treaties.
Alan James directed under the pro-
duction supervision of Robert Tan-
sey.
EXPERIENCED
Emmett Lynn has spent many
years in legitimate plays, vaudeville,
burlesque and radio, and made his
screen debut with the old Biograph
company in 1913, in the era of si-
lent pictures. Lynn comes to the
oa Sep eS theatre on in
“The Law Rides Again,” the fast-
moving Monogram western drama
which co-stars Ken Maynard and
Hoot Gibson.
AIRMAN
Before the war so greatly changed
the lives of United States citizens,
Ken Maynard not only bought a
new car every year, but also a new
airplane, owning seven of the lat-
ter in seven years. He is consid-
ered the most expert flyer in the
Hollywood film colony. Maynard
comes to the theatre on
Gare ees aee , co-starring with Hoot
Gibson in the Monogram western
drama, “The Law Rides Again.”
ee
ey
theatre on
CAST
KEN MAYNARD
HOOT GIBSON
BETTY MILES
JACK LaRUE
Dillon
Eagle Eye. EMMETT LYNN
Hampton
KENNETH HARLAN
CHIEF THUNDER CLOUD
Commissioner Lee
_BRYANT WASHBURN
JOHN BRIDGES
FRED HOOSE
CHAS. MURRAY, JR.
Sheriff HANK BELL
Barking Fox
CHIEF MANY TREATIES
OLD-TIMER
Hoot Gibson first arrived in Los
Angeles as a member of Dick Stan-
ley’s Congress of Rough Riders, a
wild west troupe, which gave its
scheduled performances and was
then engaged to appear in films
made by the old Selig and Biograph
companies, among the first of the
important producing organizations
to locate in Southern California.
Gibson comes to the .......... the-
Site ONS 2 fsck esas in “The Law
Rides Again,” the sweeping Mono-
gram western drama in which he is
co-starred with Ken Maynard.
TRAIL BLAZERS |
Ken Maynard and Hoot Gibson star
in “The Law Rides Again,” Trail
Blazers story at the The-
atre.
One Col. Scene Mat No. 1
§|LaRue, Betty Miles, Bryant Wash-
?/burn, Charles Murray, Jr.,
‘@ careening
;|best of them. And a troop of U.
Ken Maynard and Hoot Gibson get the drop on outlaw leaders Jack
LaRue and Kenneth Harlan in “The Law Rides Again,’ Monogram’s
Trail Blazers western opening
at the Theatre.
Two Column Scene Mat No. 20
Ken Maynard,
Hoot Gibson
Starred in Exciting Western
(Revi
ew)
“The Law Rides Again,” second in the new series of Mon-
ogram western pictures starring Ken Maynard and Hoot
Gibson, is even better than the first. It is fast action from
the word “Go,” and is a constant succession of thrilling in-
cidents.
The new picture opened an en-*¥
gagement of days at the
tgs itp eke theatre last night, to an
audience which apparently enjoyed
it to the fullest extent.
Maynard and Gibson, long favor-
ites in the western field, are thor-
ough-going, down-to-earth cowboys,
and their spectacular riding stunts
add greatly to the interest of the
picture. Their supporting cast is
unusually good, including as it does
such capable performers as Jack
eee eee eeee
Emmett
Lynn and Kenneth Harlan. This is
not to mention a contingent of
hard-riding Indians, headed by
Chief Thundercloud and _ Chief
Many Treaties.
The story finds Maynard and
Gibson, deputy sheriffs, tracing the
cause for Indian uprisings near a
western town, and discovering that
the redskins have been systematic-
ally robbed by a corrupt Indian
agent controlling the district. <A
double-dealing bandit complicates
matters, and help comes from a
dashing young girl who can drive
stagecoach with the
S. Cavalry plays an important part
in a tremendously exciting climax.
“The Law Rides Again” was pro-
duced by Robert Tansey, and Alan
James directed from an_ original
screenplay by Frances Kavanaugh.
Marcel Le Picard contributed ex-
cellent photography.
CREDITS
Producer
ROBERT TANSEY
Director
ALAN JAMES
Photography
MARCEL LE PICARD
Film Editor
FRED BAIN
Sound
LYLE WILLEY
Music
FRANK SANUCCI
Original Screenplay by
FRANCES KAVANAUGH
Maynard, Gibson
Opening Soon
Ken Maynard and Hoot Gibson
are co-stars of “The Law Rides
Again,” the thrilling new Mono-
gram western drama which comes
to the: 223.42. theatre on
with Betty Miles, California’s cham-
pion cowgirl, in the leading femin-
ine role. Jack LaRue is seen in an-
other featured part, and the cast
also includes Bryant Washburn,
Emmett Lynn, Kenneth Harlan,
Charles Murray, Jr., Chief Thun-
dercloud and Chief Many Treaties.
Robert Tansey produced, and the
film was directed by Alan James
from ah original screenplay by
Francs Kavanaugh.
| back-Wallace
(Not for Publication)
Hoot Gibson and Ken May-
nard, deputies, are authorized
by a U. S. Commissioner in
Arizona to use Duke Dillon, a
bandit just convicted of local
crimes, in an attempt to dis-
cover why the Indians near
Preston have gone on the war-
path. Betty Conway drives the
stage in which a U. S. marshal
and Dillon are riding to Pres-
ton, where John Hampton is lo-
cal Indian agent. Hoot and Ken
ride after the stage with word
of the Indian uprising. When
redskins attack the coach, Dil-
Ion kills the marshal and es-
capes, only to be recaptured
by the two cowboys. The In-
dians are outdistanced, and at
Preston the thoroughly tamed
Dillon leads the forces of the
law to the offices of Hampton,
whose gang, it transpires, has
been robbing the Indians of
practically all the cattle allotted
to them by the government.
Dillon kils Hampton and flees
with the latter's hoard of stolen
money, but is again captured
by Hoot and Ken among the
great rocks scattered over the
hills near the town. They are
stalked by Hampton’s big gang
of henchmen, but are saved
when Betty summons the cav-
alry from a nearby fort. The
sheriff also arrives at the head
of a band of Indians, who now
understand the situation. The
gang is wiped out, and Dillon
is turned over to the sheriff.
Riding Star Had
Colorful Career
Ken Maynard was a performer in
rodeos, wild west shows and cir-
cuses long before he thought of the
stage or screen, and was a star per-
former with Buffalo Bill, Hagen-
and Pawnee Bill’s
Wild West. During the winter sea-
sons he was a real down-to-earth
cowboy, riding the range in what-
ever part of the western country his
show closed its tour.
Later Maynard was a headliner
with the Ringling Bros. Circus, and
.| eventually made his entry into Hol-
lywood with still another tented
show. At that time he was signed
to a long-term film contract, and
quickly became established, in the
top rank of film cowboys.
Maynard comes to the
theatre on ......%. as co-star with
Hoot Gibson in “The Law Rides
Again,” Monogram’s thrilling drama
of the western frontier. Other mem-
bers of the cast are Betty Miles,
Jack LaRue, Bryant Washburn, Em-
mett Lynn, Charles Murray, Jr.,
Kenneth Harlan, Chief Thunder-
cloud and Chief Many Theaties.
Alan James directed for producer
Robert Tansey, and the original
screenplay was written by Frances
Kavanaugh.
ee
ROPE AND TIE ‘EM WITH THESE RIP-ROARING ACCESSORIES!
THE TRAIL BLAZERS
WILL SIZZLE
AT THE |
BOXOFFICE!
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Six SHEET
MONOGRAM PICTURES presents FEE TRAIL BLAZERS —
S*MAYNARD "GIBSON = SSE
THREE SHEET
THE TRAIL BLAZERS.
37 Monogram Exchanges
to serve you
‘JACK LaRUE
BETTY MILES Be ALBANY, NEW YORK NEW ORLEANS, LA.
reitrentomt Ey ATLANTA, GEORGIA NEW YORK, NEW YORK
BOSTON, MASSACHUSETTS OKLAHOMA CITY, OKLA.
BUFFALO, NEW YORK OMAHA, NEBRASKA
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JACK TaRUE
BI M ES
>, A MONOGRAM PICTURE
TITLE CARD AND SLIDE INSERT CARD
SELL KEN MAYNARD AND HOOT GIBSON---THEY'RE TOPS!
Printed in U.S.A.
Scanned from the collections of the
Wisconsin Center for Film and Theater Research,
with support from Matthew and Natalie Bernstein.
for Film and Theater Research
http://wcftr.commarts.wisc.edu
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